Ciro Geurra’s dreamlike film, Embrace of the Serpent is full of sentiment, surrealism, terror and disarray. He does this by editing the film in an ethereal black and white haze of mysticism that casts a hypnotic veil over the audiences eyes. However for me, what this film more importantly shows is how the realm of mystical experience is rarely gazed at in the western world. We might think of the concept of the dream in this film as forgotten lands that still walk through our psyche’s at night, that still speak to us when reductionist materialism fails to generate feelings of wholesomeness. The central focus of the film is on a character called Karamakate who we are introduced to as a young adult and an old man. He is the last of his clan and seems to be the last person keeping the dreamscape alive and shows this by his faith in the dream but also by harbouring a cynicism of a world that may no longer exist. Quite aptly, the metaphorical destruction of the dream is shown through the destruction of his group due to the production of rubber, a material substance used for many reasons other than dreaming.
So what is the dream?
The dream represents the most precious aspect of religion. The ability to connect to phenomena in ways that are transportive and transfiguring. After all the word religion derives from the latin ‘religare’ which means to bind, to link and reconnect. I am not saying that this quality of experience is only a feature of religion or that any form of religious belief is necessary for this sense of transcendence, it is only that I Believe words like God, Religion and revelation have been useful polywords for a canon of experience that doesn’t have so much of a footing in the material world. In many ways Karamakate is symbolic of this effervescence that never seems to fully compute with the other main characters, two travellers from the west. Specifically, the scene in which Karamakate gives Yakruna to the traveller, he asks of the plant to show the man ‘everything it sees’ and ‘everything it feels’, which then cuts to a number of swooping birds eye view shots showing the majesty of the jungle and the interconnectedness of all phenomena that transcend appearances in consciousness. In the appearance of dualism there is every reason to, at times, know what it means to transcend this. Of course, I believe this has been the best use of religions but of course it often rarely features. crusades? slavery? fundamentalism? Yet lets not throw out the baby with the bath water. Lets promote freedom of choice, freedom of voice, fraternity and what the best of religion offers, a collection of transcendent experiences that all of us can attempt to have more of. Whether we call it God or religion does not matter.